Biological life is now thought to have appeared on this planet not long after its formation. It seems that the bacterial reeds for the process may have flown in on the tail of a cornet or meteor. Speculation is again rife about life under the surface of Mars, on jupiter’s icy moon Europa and indeed anywhere the sacred substance of liquid water is known to exist.

(Earth Matters) Plant growth is governed by the Fibonacci sequence, which can be understood as a law of accumulation. The role of the Fibonacci sequence in the growth of plants is an intriguing example of the unifying order behind all creation. These patterns exist at all levels and permeate the universe, reminding us that the same swirling energy is shaping, sunflowers, whirlpools, spinning galaxies, and our own DNA.

The science of the cosmos has changed irnmeasurably since the (Greek and medieval vision of circles of planetary spheres. But with great cosmic schemes out of fashion, and with dragons and unicorns dismissed, the Earth has become a modern mystery.

No modem theory exists to explain the miracle of conscious life nor the cosmic “coincidences” which surround our planet. Why do the Sun and Moon appear the same size in the sky? There are ancient answers to such questions, however, and these invoke liberal arts like music and geometry. See Geometry of Human Life ,Geometry of pants, and Geometry of zoology

This suggests there is fundamental relationships between space, time and life which have not yet been understood or forgotten. These days we scan the skies listening for intelligent radio signals and looking for remote planets a little like our own. Meanwhile, our closest planetary neighbours are making the most exquisite patterns around us, in space and in time and no scientist has yet explained why. Is it all just a coincidence or do the patterns perhaps explain the scientists’s educated ignorance without wisdom?

– Dance of Planets:

Ujjwal Suryakant Rane from India says :” A picture is worth a thousand words and an animation? . . . probably as many pictures! That’s what this channel uses – graphics and animation – to deliver core concepts in Physics, Math, Engineering and Astronomy. Such geometric/graphical approach results in an intuitive and deeper understanding, that is retained better. Used in classrooms and in one to one sessions at levels ranging from middle school to engineering, this approach yielded success in both India and the United States over a period of 24 years.

I f you want to learn more look here

• The kiss of Venus

Venus and Earth form a beautiful Spirograph pattern with their orbits. The pattern of Venus around the Earth portrays a 5-petalled rose when viewed from the geocentric position. This beautiful pattern reveals the essence of Venus in her role of celestial guardian of love and beauty to those of us here on Earth. Have a look…

Other than the Sun and Moon, the brightest point in the sky is Venus, morning and evening star. She is our closest neighbour, ldssing us every 584 days as she passes between us and the Sun. Each time one of these kisses occurs the Sun, Venus and the Earth line up two-fifths of a circle further around the starry zodiacal circle so pentagram of conjunctions is drawn. Seen from Earth the Sun moves round the zodiac white Venus whirls around the Sun drawing an astonishing pattern over exactly eight years (99.9%) (01 thirteen Venusian-years (99_9%)). Small loops are made when Venus in her dazzling kiss seerns briefly to reverse direction against the background Stars (shown below as seen from Earth).

Notice the Fibonnacci numbers we have just met, 5, 8 and 13. The periods of Earth and Venus are also loosely related as 1.618:1 (99.6%). This `phi’-fold nature of Venus and Earth’s dance extends to their closest and furthest distances from each other. Opposite we see Venus’ perigee and apogee defined by two pentagrams, 2.618:1 (99.9%). All these diagrams also apply to Venus’ experience of Earth.

If you want more look Here

Modern astronomers peer at distant galaxies, but know that they have lost track of human meaning. We are here concerned with what is seen and experienced within our local region of space; and have argued that, using modern observations to four or even five-figure accuracy, we are in some way re-gaining a Pythagorean/Platonic view. Twenty-five centuries ago, Greeks took the word Kosmos which meant beauty, as in ‘cosmetic’, and applied it to the universe. Heracleitos the ancient Greek philosopher wrote, in that century:
‘For those who are awake the cosmos is one and common, but those who sleep turn away each into a private world. We should not speak and act like sleeping men.’

Herakleitos lived circa 545BC to 485BC – exactly at the time Greek civilisation began to rise towards its Golden Age. But Herakleitos was not a great statesman or soldier or sculptor; he looked at the world without wanting to change it or bring it under his control or make beautiful stone images of it. He simply wanted to understand it. So he thought about it: how things come to be and how things pass away…and he saw that nothing is really separate at all – all matter, everywhere, simply changes form, in an endless cycle of transformation. What we experience as individual forms are but fleeting interlocking brush strokes in a picture too big for our normal human vision to grasp. Herakleitos, though, did grasp this mystic vision of unity. And he intuitively understood that every brush stroke in the picture can only occur if there is an underlying unseen pattern. This pattern he called the Logos. Observing that human problems and failures are caused by living separately, and thus out of harmony with Logos to the attention of all. The methods he chose were the methods anyone might resort to when describing something previously unknown: similes, riddles, metaphors, aphorisms, allegories and…when those failed, browbeating and exasperated criticism! Herakleitos’ own words are the starting place as the reader is taken on a voyage of discovery through philosophy and physics, through time and space, through human behaviour and consciousness – to arrive at a new vision of the nature of reality.. Look here Herakleitos : Logos Made Manifest

Read here: Heraclitus on Logos Language, Rationality and the Real; and DE BETEKENIS VAN LOGOS BIJ HERAKLEITOS VOLGENS DE TRADITIE ( Dutch)

The Logos of the Greek is the same as the Viritas of Hildegard of Bingen: the greening power of the Divine:

Read Here King Charles : Harmony – A New Way of Looking at Our World and King Charles III , Green Man and Viriditas

Many legends and mythologies are full of admirations for these beautifull “coincidences” of the Divine Logos Look at :

About Venus, Virgin Mary and “The Pentacle” of Sir Gawain

or at Mythology, Legends and Fairy Tale of Friesland

or look at Mythology of Easter: Resurrection

An acclaimed geometer explores the fundamental connections between space, time, and life that have not yet been fully understood.

A most unusual guide to the solar system, A Little Book of Coincidence suggests that there may be fundamental relationships between space, time, and life that have not yet been fully understood. From the observations of Ptolemy and Kepler to the Harmony of the Spheres and the hidden structure of the solar system, John Martineau reveals the exquisite orbital patterns of the planets and the mathematical relationships that govern them. A table shows the relative measurements of each planet in eighteen categories, and three pages show the beautiful dance patterns of thirty six pairs of planets and moons. Read Here

The essential pocket guide to the marriage of the Sun and the Moon. Read here

The principles of the universal order are traced through the religiophilosophical reasoning of how Being emerged from non-Being, and how original Unity gave birth to an inexhaustible multiplicity. Here explore specifically the generative “move” from unity to triplicity and quadrature, seen as a central cosmogonic paradigm of simultaneous proliferation and synthesis. The move is explored in a variety of contexts and manifestations.

The first trace of this move unfolds the metaphysial order, which is then traced in the cosmic order, which is in turn traced in the architectural order.

Spatially, the move refers to the deployment of space from a central point along the three axes of what the French philosopher and metaphysician René Guénon describes as the “threedimensional cross.” This study shows how this conception formed the cornerstone of spatial sensibility in premodern Islam. It also shows how the manifold manifestations and interrelatedness of this primary spatial order unfold a complex web of meanings and intricate patterns of correspondence that at once govern the world and materialize the order inscribed in the divine exemplar…. Read more here: Cosmology in Sufism and Islam

The classic study of the cosmological principles found in the patterns of Islamic art and how they relate to sacred geometry and the perennial philosophy. Read here