How Islamic Architecture Shaped Europe

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In this video, Diana Darke, author of the award-winning book, Stealing from the Saracens: How Islamic Architecture Shaped Europe, takes you on a quick architectural journey to see how architectural styles and ideas passed from vibrant Middle Eastern centers, such as Damascus, Baghdad, and Cairo, and entered Europe via gateways including Muslim Spain, Sicily, and Venice through the movement of pilgrims, bishops, merchants, and medieval Crusaders. It’s a rich tale of cultural exchange that will help you see some of Europe’s – and even America’s – iconic landmarks with new eyes. Diana Darke is a Middle East cultural expert with special focus on Syria.

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With degrees in Arabic from Oxford University and in Islamic Art & Architecture from SOAS, London, she has spent over 30 years specializing in the region, working for both government and commercial sectors. She is frequently invited to speak at international events and media networks, such as the BBC, PBS, TRT, Al-Jazeera, and France24. Her work on Syria has been published by the BBC website, The Sunday Times, The Guardian, and The Financial Times. She is a Non-Resident Scholar at Washington’s think-tank MEI (the Middle East Institute). Diana is also the author of the highly acclaimed My House in Damascus: An Inside View of the Syrian Crisis (2016), The Merchant of Syria (2018), and The Last Sanctuary in Aleppo (2019). Special thanks to the Foundation for Intelligent Giving and the Barrington Peace Forum for their support. You can get Diana’s book from Hurst Publishers (https://www.hurstpublishers.com/book/…) or Amazon (https://amzn.to/2V1Gv0L).

Fan vaulting of the crossing inside Canterbury Cathedral
Pointed arches, trefoil arches and ribbed vaulting in the Chapter House, Westminster Abbey. 
The perfect geometry of the ribbed vaulting in the Cordoba Mezquita, predating Gothic rib-vaulted ceilings by over a century. 

Masterpieces of Islamic Art, from the Umayyad Empire to the Ottomans

From the expansion of the Umayyad Empire in the seventh century until the fall of the Ottomans in the early 20th century, Muslim artists produced a stream of masterpieces that circulated across the globe – adorning places of worship, royal courts and the grand residences of the nobility.

look also:The Ottomans: A Cultural Legacy